Tag Archives: Rode

Blackmagic Pocket Cinema Camera 4K – Pt 10

No surprises that there’s now a Part 10 to this ongoing story, but as I keep modifying and improving things with my camera rig, that’s going to happen. But I’m close to having things sorted out. Anyone that’s been reading this blog and the stories about the BMPCC4K, will know that I’ve not been overly happy with the audio of the BMPCC4K. This especially relates to the 3.5mm audio input where, without several additional bits of gear, the audio recording levels of the camera have been virtually non-existent. So to fix this I’ve been using an Olympus LS-14 audio recorder, coupled with a Cayin C5 preamplifier, to boost the signal strength to something respectable. It works, but requires a bunch of cabling, battery management as well as remembering to turn on multiple devices. But all of that has come to an end, as I’ve found a much better solution in the most unexpected of places.

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Blackmagic Pocket Cinema Camera 4K – Pt 9

There seems to be a never ending progression of change when it comes to my camera rig, but given the flexibility with the way that the rig is assembled, it’s not too difficult to move things around. It’s a bit like moving into a new home and working out how the furniture best fits for daily use, and what looked OK at the beginning, a few days or weeks later proves to be a poor choice and changes follow. That’s pretty much what’s been happening with my camera rig, especially as I get more hours of use under the belt. Video is so far removed from stills photography, where the camera setup really doesn’t change at all over its life unless you consider swapping lenses a change. So once again I’ll go over a few additions/changes that I’ve made to the camera rig which may or may not be subject to further change.

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Blackmagic Pocket Cinema Camera 4K – Pt 8

One thing that I’ve come across on numerous forums regarding the BMPCC4K are questions about ways to effectively power the camera and get more recording time than what’s available from the standard battery. There are two regular ways to provide power to the camera, apart from using the internal battery option, and the first is by using a dummy battery connected to an external power source and the second is by using the camera’s external power connector to an external power source. It’s the external power source that seems to cause the most issues and raises the most questions regarding what external power source to use, given that many want to power accessories and not just the camera. The power requirements can be quite high if using a field monitor, external SSD, audio recorder and microphone all of which will tax a battery’s capacity.

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Blackmagic Pocket Cinema Camera 4K – Pt 7

Finally I’m having some success. As I pointed out in Part 6, as a last desperate measure I’d ordered an inexpensive powered Saramonic SR-M3 directional microphone (shotgun mic) to see if that would alleviate my need for the Olympus LS-14 audio recorder. It arrived and I have to say that I was apprehensive given that there was so little information available with regards to this microphone when it came to use with the BMPCC4K. Actually, I couldn’t find anything informative. Every review was about it’s use with a DSLR or mirrorless camera for vlogging purposes, something that wasn’t going to be its intended use. I wanted to use it as a field microphone for general use on my rig, which may not have been ideal, but that’s what I needed.  As an aside, for once a product was available locally at considerably cheaper price than anything available overseas. I never cease to wonder at these price variations. There are plenty of general reviews of the Saramonic, so I’m not going to do a general review but will go straight into testing

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Blackmagic Pocket Cinema Camera 4K – Pt 6

No sooner had I thought that Part 5 was the finale, I made a few more adjustments and modifications that I thought would be beneficial to describe and record. It’s possible that this could go on for some time as things change and as I get used to using the camera rig and finding better ways to do things. I guess that’s the benefit of a camera rig that can be modified to suit one’s needs, but it’s also a double edged sward as you get tempted to modify things perhaps too much at times. Though I must admit, the changes that I’ve made have been for the better, especially as far as handling goes, and that’s the important thing over anything else. Mind you, I haven’t made that many changes to the overall structure of the rig, so it’s not like I’m moving the furniture around hoping for a better arrangement to arise. Continue reading