I thought I’d do a further chapter to this story following Part 3, now that I’ve managed to put the BMPCC4K to use in somewhat arduous conditions such as we experienced on our last Cruise. The Cruise subjected the BMPCC4K and the rig to heaps of dust, heat as well as significant and constant vibration and jolting over five days while on our journey. I was somewhat worried about how the whole system would stand up, but I needn’t have been concerned as everything held up very well. The camera performed perfectly and the only issues I had was me trying to make sure that I’d thought of everything before pressing the record button. That was the biggest issue apart from trying to get into a cinematographer’s mindset and not stay in a photographer’s mindset.
Following on from Part 2, which focused more on accessories for gimbal use, I want to turn to another accessory or system tool. Now I believe that there are three main support systems for video cameras, a tripod/monopod, a gimbal (whether motorise or static) and a camera rig. All three serve a purpose that is often unique and one support system can’t be replicated, or not as well, by the other two. So I realised that I needed a camera rig to make the BMPCC 4K fully functional and useful when not using a gimbal or tripod/monopod and, while the gimbal is a great tool, it’s not a panacea or even desirable for every situation. To be quite honest, I didn’t want every scene to start reflecting the fact that I was using a gimbal. It’s like that old adage, ‘When all that you have is a hammer, everything starts looking like a nail’. That’s the fear that I had that if I just tried to do all, or most, of my ‘movie making’ using a gimbal, I’d lose perspective on other techniques that are just as pertinent and equally important.
In Part 1 I discussed the Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) and lenses that I intended to use with the camera and in this part I’ll cover some of the accessories that I’ve cobbled together to enhance the usability of the BMPCC 4K. I’ve spoken previously in Part 7 and Part 8 about some of the accessories that I’ve gathered to allow different techniques, but in this part I’ll talk about smaller accessories that complement the camera and indeed are essential to get the best out of the camera. I’m not in a position to buy top shelf accessories, so I’m always looking out for a good balance between price and performance, so I do a lot of research before I decide to buy anything. I also keep an eye out for specials, such as eBay has on a regular basis, to get the best deals possible. Now while many photographers have a number of accessories that can be adapted to video, especially tripods and/or monopods, there are a number of items that are not necessary or as necessary for photography, but are essential for video. As I progressed in my ‘Making Movies’ journey, I kept coming across the need for another accessory and then another one after that.