In Part 6 I discussed a range of accessories that can make movie production easier and professional looking. Hand- held gimbals are becoming a major part of this, but the cost of motorised ones had me avoiding getting one. However, after numerous failed attempts at getting the static gimbal to work with my main cameras, I was facing a very frustrating brick wall that I couldn’t penetrate. While the static gimbal is supposed to be able to handle the weight of my cameras (much like a Glidecam), I was beginning to suspect that wasn’t the case. No matter what I did and no matter how many videos I watched on how to balance this gimbal, I could not get it to work. The shoulder rig on the other hand is great but is more a substitute for a tripod in awkward situations but, when moving about, the shoulder rig shows lots of jitter and movement. The more I pondered the subject matter that I would be recording, moving about was going to be a major part of anything that I did and what I had wasn’t going to cut it.