Following on from Part 3, one of the most important things when it comes to producing good video is not the gear, it’s the story you’re telling and the planning that you do beforehand, which may include screenplays, scripts and storyboards. When I once mentioned this on a photography forum, I was immediately ridiculed for suggesting that anyone needs to do these things to make a video. It was the usual knee jerk reaction, without any thought being given to the general concept behind these words. I wasn’t suggesting that you needed formal planning, screenplays/scripts and storyboards to make a video, but having even a rudimentary story and plan will help in producing something meaningful. It’s like taking a holiday where most people don’t simply jump in a car or plane and travel to some place without any though as to where they want to go and what they want to do. In this context, planning is vital. Even millennials sometimes plan their photography/video trips.
In Part 3 I discussed the focusing capabilities of the MkII and covered the AF Limiter. Since writing that, I’ve found the AF Limiter somewhat problematic with my 4/3 lenses. Sometimes it works and at other times it doesn’t, the behaviour can be quite erratic. I also encountered an issue with my 90-250mm lens when set to the wide end, it wouldn’t focus on distant subjects with the MkII, but I have no problems with the MkI. So I tried using the AF Limiter with my other lenses and they too exhibited erratic focusing behaviour when the AF Limiter was engaged. I suspect that there is some incompatibility issues with the the MkII and the 4/3 lenses when using the AF Limiter. Though I’m still perplexed why the 90-250mm is displaying focus issues at the wide end when the focus limiter is not engaged, as I don’t have this issue with the other lenses.
Continuing on from Part 2 and as a prelude to Part 4, which will be about planning, I thought I’d cover how I intend to get all the video footage I will need for what will hopefully become a short movie. I’ve already discussed one aspect of how I intend to achieve this in my story about my new ‘action cam‘ and in this part I’ll cover the additional tools that I’ve put together so that I can get as diverse and as comprehensive a coverage of the things that we do on our Cruises. Since our Cruises involve a wide variety of environments including highways, dirt roads, rough tracks, river crossings, and then camping in varied bush settings including High Country huts, I have to consider the numerous ways in which I can cover those potential scenes, especially while on the move. It’s all part of the planning and, to do that, I’ve come up with various solutions.
Continuing on from Part 1, even though many cameras can produce say 1080p video, they don’t always provide great results because they haven’t been supplied with the proper Codecs and other features. However, modern cameras are getting much better and most new digital cameras, as well as action cams and even dash cams, will produce excellent 1080p and good to excellent 4K. The more expensive the camera, usually the better the results. Even smart phones are now producing some amazing 4K video and getting better all the time. Cheap video cameras, like many action cams, can promise a lot but deliver little, so quality is always going to come at a price. That said, there are now very high quality video cameras available that are quite compact and at exceptionally good prices, Blackmagic is one brand worth considering.
I’ve noted previously that there’s barely a camera that can’t take decent photographs or video and much the same applies even to mobile phones nowadays. So I was really keen to find out how the TG-5 performed, especially in the role for which I’d bought it and that was video in place of my earlier action cams. But I won’t ignore still photography, as this camera has some features that are quite surprising and, if they work well enough, potentially quite rewarding. I also wanted to get away from the typical action cam, fisheye lens, look and the modest wide to telephoto zoom of the TG-5 is perfect for what I want. So continuing on from Part 1, I want to produce video that is along the lines of traditional movies, not more examples of some extreme sports fanatic’s YOLO world view. The latter is one reason, amongst several, why I wasn’t interested in the Olympus TG-Tracker action cam.
In my quest to find an action cam that will suit the sort of video that I want to produce, I’ve gone through several camera iterations and have been disappointed every time. So once again I went in search of another action cam and this time took a completely different approach. This story is about the Olympus Tough TG-5, a versatile compact camera, and why I think it may well be the ideal camera for use as both an action cam, all round video camera (as well as a regular stills camera) and a great addition to any DSLR or mirrorless camera kit. I’ve come to the conclusion that with certain products you simply won’t be happy buying at the bottom end of the market and It’s not that cheap is always bad, but with things like action cams, cheap usually means bad. And then there are other things to consider.
I’d like to note from the outset that I’m not a professional videographer, but I can and do take video and do so for many events and activities. To me, a professional or serious amateur videographer is an individual that does more than just own a capable video camera and who goes about pointing that camera at all and sundry and doing little more than minor editing (if that), like some happy snappers with high quality still cameras are known to do. I’ve had several discussions on photography forums about video, from a stills photographer’s perspective, and it never ceases to amaze me how many seem to think that video is easy and the higher the quality available (such as 4K), the easier it is to produce. It often sounds just like the old/new megapixel wars that wax and wane year after year.
After a pretty dismal and cold Winter, followed by a pretty wet and dismal start to Spring, there was at least one form of life that really revelled in the conditions. And while the weather hasn’t been all that conducive to outdoor activities and associated enjoyment, there were a few interesting diversions where such subject matter kept me out of the doldrums. In this instance it was once again one of those interesting things found in damp and wet places, fungi. You can kind of call it mould, as fungi is related to mould as well as yeasts. This won’t be so much of a story, but more a pictorial record of some of the types of fungi that I came across this year. These ones were perhaps the most interesting, as there were lots of small mushrooms about that were quite ordinary.
One ever present issue when it comes to any m4/3 camera is the perception that the sensor is simply not good enough for genuine photography, especially professional use. It doesn’t matter how much evidence is shown to the contrary, there is always one or other that tries to perpetuate this myth. The reality is that for the vast majority of photography enthusiasts and even professionals, the sensor size is rarely the limiting factor when it comes to results, you can get top quality results with pretty much any camera nowadays. The limiting factor always has and always will be the photographer. There is no doubt that the camera can at times make things easier, and digital camera technology has been advancing in major leaps and bounds, but the best camera in the world won’t produce anything worthwhile without considered intervention by the user.
Before I get into how the MkII performs, I’d like to note some differences between the E-M1 MkI and MkII, and what were immediately noticeable. On unboxing the camera, the first thing that was obvious was that the MkII was slightly larger than the MkI and that was mainly in the height, making it more comfortable in the hand than the MkI, which required a camera plate to make it comfortable for me to hold. The other thing that is significantly larger is the battery, to provide much greater longevity, an issue that has plagued many mirrorless cameras, though I never really had a problem with the MkI batteries (I’ve been able to take 1400+ photographs on one battery). The MkII no longer sports an accessory port on the electronic viewfinder (EVF) hump, making that part slightly trimmer but, in other respects, the overall differences are mainly cosmetic with all the dials, buttons and levers pretty much as they are on the MkI. The MkII does differ in one other physical aspect, in that it has a fold out LCD screen rather than one that just lifts up and down, a source of constant angst and debate on forums.